An Essay on the Opera: Amazon.co.uk: Francesco Algarotti.

Francesco Algarotti’s Essay on the Opera (1755) proved to be an inspiration for Christoph Willibald Gluck’s reforms. He advocated that opera seria had to return to basics and that all the various elements-music (both instrumental and vocal), ballet, and staging-must be subservient to the overriding drama.

Francesco Algarotti 's Essay on the Opera (1755) was a major influence in the development of Gluck's reformist ideology. Algarotti proposed a heavily simplified model of opera seria, with the drama pre-eminent, instead of the music or ballet or staging.

Francesco Algarotti: a reprint of his Essay on opera and a sketch of his life,. (Francesco Algarotti, conte; Richard Northcott) Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for Contacts Search for a Library.

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An essay on the opera. Written in Italian by Count Algarotti. (Francesco Algarotti) Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for Contacts Search for a Library. Create lists, bibliographies and reviews: or Search WorldCat. Find items in libraries near you.

An essay on the opera. Written in Italian by Count Algarotti, F.R.S.F.S.A. Etc. (Francesco Algarotti) Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for Contacts Search for a Library. Create.

This Essay on Opera by Francesco Algarotti is an important, but neglected treatise of 18th century musical aesthetics.

Start studying Gluck and Opera Reform. Learn vocabulary, terms, and more with flashcards, games, and other study tools.. Francesco Algarotti. Essays on Opera (upstaged) Gluck's Orfeo et Euridice (1762) 1. Genre: Chorus and Ballet.

An Essay on the Opera. Written in Italian by Count Algarotti,. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press.

Francesco Algarotti's Essay on the Opera (1755) proved to be an inspiration for Gluck's reforms. He advocated that opera seria had to return to basics and that all the various elements—music (both instrumental and vocal), ballet, and staging—must be subservient to the overriding drama.